The doko is one of the most ubiquitous objects in Nepali daily life — a deep conical basket woven from split bamboo and carried on the back, suspended by a headband, for transporting everything from vegetables to firewood to construction materials. It is an object of extraordinary formal clarity: the cone is generated entirely by the logic of the weave, without any frame or secondary structure, and its proportions have been refined over centuries of daily use into something close to inevitability. The Doko Pendant takes this form as its starting point and does almost nothing to it.

The shade is woven by a cooperative of basket weavers in the Chitwan district using the same split bamboo and the same over-under twill technique used for working dokos, but with a density of weave calibrated to allow a specific amount of light transmission — enough to cast a warm patterned glow on the ceiling and walls without creating uncomfortable brightness below the fitting. The interior of the shade is lined with a single panel of hand-sewn natural linen, which diffuses the light from the bulb and prevents the bare filament from being visible through the weave. The electrical fitting is a minimal brass lampholder on a braided textile cord in natural cotton.

The pendant is available in two diameters — 480mm and 680mm — and is suited to any space where a large, warm, organic overhead presence is appropriate: dining rooms, entrance halls, covered terraces, hotel lobbies. It is intentionally an object that carries cultural memory into a contemporary setting without quotation or pastiche. The weave is the thing; the light is secondary. Lead time is six weeks from order; each shade is woven individually and no two are perfectly identical.